* Mark Whitfield Joins Smooth Jazz Guitar CD G-Fire II
* Heart Crazy On TrustyFiles P2P File Sharing Network Distribution
* "Gamers" Make Up More Than Half of Online Radio's Audience
* iMesh Reaches Resolution With Recording Industry
* Eagle Rock Entertainment Restores The Who - Live At The Isle Of Wight
* Music Pirate Sales Hit Record 1.1 Billion Discs
* Ardel Records Releases Of Newest CD, Entre Nosotros (Among Us)
* CD Baby And Vision Music USA Form Partnership
* MusicDish Network & Audio Graphics Deliver Music To Radio Programmers
* Radio Gets Wild A Radio Station With A Difference
* Independents Disappointed By EU "Easy Clearance" Of Sony/BMG Merger
INDIE 2004: Your CD Cover is Your Best Ad For Your Music
Your cover is your calling card to the record industry and to the consumer...how well you design it and the other graphics for your release could well determine your success or failure as a musician.
Event Review: NARIP Presentation - Publishing Hit Songs
Alan Melina Reveals the Secrets Behind 500,000,000 in Record Sales By G-Man,
"So then I said, 'Are you guys deaf? That's a hit record!' And they agreed to listen to it again."
Those twenty words reveal a lot about Alan Melina, from his stature in the business (he pitches songs directly to Clive Davis and others at the top), to his track record (he has signed writers and artists who have sold half-a-billion recordings), to his faith in the quality of the work he represents (often displaying an eye-opening level of self-confidence).
Over the years, I've stuck my neck out and spoken publicly about the things that I strongly disagree with regarding the typical music conference. When I started to create the first IMC, I implemented a lot of procedures that were designed to eliminate the problems I'd seen all too often. Many of my ideas were looked upon as radical, different... even ridiculous by some.
Lighting Design: How does a Lighting Designer Actually Run a Show?
This series of articles is geared specifically at evaluating the position of Lighting Designer or LD. In this piece I'm answering the question: How does a lighting designer actually run a show?