With 36 billion emails sent daily the opportunity to go wrong is greater than ever before. The pressure of work and the speed of reply when coupled to the fact that communication takes place devoid of eye-contact and tone of voice make for an incendiary combination.
Intellectual Property and Antitrust: Music Performing Rights in Broadcasting 3
As a second key modification, Section XI of AFJ2 entirely dispenses with an amendment to the original Decree known as the "1960 Order". Recognizing ASCAP's then-control of 85 percent of all catalogued music compositions, the "1960 Order" was designed to govern ASCAP's arrangements and operating procedures regarding its member writers. The Order constrained principally the weights used to divide ASCAP's royalty pool among its membership for different uses of music (e.g, feature vs. commercial), but also prescribed rules for voting, performance surveys, and mechanisms for resolving disputes among members. These rules were to be made public and changes submitted to the Department or Rate Court for approval. Nonetheless, ASCAP's relations with its soundtrack and commercial writers have been quite contentious and the Rate Court has often declined jurisdiction.
Intellectual Property and Antitrust: Music Performing Rights in Broadcasting
The matter of rate determination for program licenses moved in 1990-91 to the ASCAP Rate Court, which conducted an administrative hearing in which 963 independent and 20 network-owned stations sought final determination of blanket and program fees for historic periods in which interim license fees had prevailed. These local stations were attempting to negotiate with ASCAP an all-industry fee aggregate that could be subsequently assigned to individual stations based on respective audience size, day part ratings, and program clearance. Hearing Magistrate Michael Dolinger issued a decision in 1993.
With 36 billion emails sent daily the opportunity to go wrong is greater than ever before. The pressure of work and the speed of reply when coupled to the fact that communication takes place devoid of eye-contact and tone of voice make for an incendiary combination.
When a DJ opens his liner notes with a shout out of thanks to his mom and dad, you know he's on some different trip. In a music genre that is all about the DJ-as-God, that is about excess of sex, clubs, drugs, and power, it's unusual to find someone who seeks to uplift and feed the soul. Well, DJ Jaspa
is onto some different stuff.
Join the ranks of the great communicators 
